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The inspiration was a yakshagana of Devi Mahatme that I saw, and I fused it with my lived experiences in Mangaluru. What was the writing process of Garuda Gamana like? Sometimes, I think Shiva wrote himself as a character, and I am fortunate to be part of it.Įveryone is speaking about the writing and the world of Mangaladevi you’re created cinematically in just 32 days. So, even if he gives death to so many, Shiva is still innocent. What a beautiful character that is! Shiva is the object of the young kids’ affection, in a way Hari is not. Even his love for the kids comes out as scolding. But, they fight with him over wides and runs. Shiva’s bond with the children is special.Įveryone who plays with him knows what he is and what he is capable of. He operates from a space of love or rage or to protect. He does not know he’s cruel, or powerful.
What utter freedom to live like that, almost like a perfect symbol of spirituality. Even when it comes to money, after he drops the money when Hari holds his hand as a child, he never touches it again. In society, we constantly seek acceptance, so how liberating it is to see someone so free, without any expectation? For me, Shiva in GGVV is a symbol of freedom. Why do we love him? Because he destroys, but only when he thinks Hari is at risk. If you see, he’s always in the background unless needed by Hari. Like Lord Shiva, he can happily sit in the cemetery, he does not seek validation or love. He is not a good guy, yes, but all the crime he commits is from his heart, not his head. Cinema is a process of personal exploration, so my writing was not trying to make them likeable, rather to make them human.Īs a man who destroys what has to be destroyed and then can go and play cricket. I may not have the courage to commit the crime they do, but if I can sit with them and understand them as they are, then maybe, it is a chance to understand myself more clearly. I’m not better than any character in the film. The woman he murders as a child might have been his mother, or some other woman.
I never lent both characters any sense of morality. How did you manage to gift him audience sympathy? Shiva murders a woman when he’s a child and continues to murder into adulthood. These are technically lifeless objects, but when they take on life, the writer lives.Ī scene from 'Garuda Gamana Vrishabha Vahana' Something similar has happened with the RX 100. They feel they’ve discovered it, that it is part of their life. Does footwear have life? But, people have made that narrative their own.